Tag Archives: David Bain

Firearms, no debate

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I generally agree with r0b’s reasoning on the police need — or lack — for firearms. This is a mostly-empty moral panic.

But how things have changed for Greg O’Connor of the Police Association. This from 1 June 2009:

Mr O’Connor, who is currently studying policing in Scandinavia, did not support all police carrying guns but said the matter had to be looked at. […] “We said the debate should take place outside the emotion of Len Snee’s death and it’s disappointing to see that now there’s not going to be any debate there needs to be.”

A year ago Greg O’Connor was careful to frame the Police Association response in this way. He repeatedly said he didn’t want to arm all officers, he just wanted “a debate”, and one which would take place in the cold light of reason rather than as a knee-jerk in the aftermath of a police shooting. That’s a mature and responsible position. But even though the debate has not really occurred in the intervening year, his position has congealed — or perhaps he now just feels more at liberty to express it — into “all guns, all the time”.

What’s changed in the past year? The agenda has changed, that’s all: how firearms are framed in the public discourse about policing. Any time a firearm is used — regardless of the outcome — it’s a big media deal. Recent events such as the Urewera Terra raids of October 2007, the retrial of David Bain, the story of a large number of dogs being “massacred” using a firearm, and of course a number of police shootings have imprinted the prominence of firearms as public menace on the public consciousness. This has progressed alongside a police and crime-reporting discourse which has as its basic theme the notion that our plucky boys and girls in blue are under constant attack from all sides. Contrary to O’Connor’s noble aim, there has been no meaningful debate about arming police. This fact suits his arm-the-cops purposes, and it’s now clear that those cries for a debate, and the appearance of a debate within the Police, were made with the primary purpose of simply keeping the issue primed and on the public agenda. It’s lurked there, undebated, for a while, and with these most recent events it’s moving rather rapidly closer to actually happening. That’s a dangerous way to set policy.

Although I accept this is a contentious position, I generally believe that we need to trust the operational discretion and instincts of frontline police staff, as long as we have tough and independent disciplinary oversight as to their policy, and conduct in implementing that policy. On this basis, I’m not categorically opposed to the notion of police vehicles containing a lock-box with firearms in it, which police can use in accordance with firm and well-documented policy in light of the tactical circumstances in which they find themselves. But I would say that this isn’t very different to the current status quo, and the use of firearms must not be left to the sole discretion of an individual officer. The deployment policy and tactical decisions to deploy must be matters for which police command can be held accountable, for which the police as an organisation are responsible.

But what I’m more interested in is a public debate on this, and other policing matters. We really need one.

L

Resisting the decline

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This is art, can you believe it?After some reflection and consideration of the pretty well-made arguments against my last post on Sensing Murder, I now have a bit more understanding of and sympathy for the position of those who are so infuriated and offended (thanks, Tony, Keir, Andrew and others). While I still think the difference between psychics and other sorts of entertainers is one of degree rather than kind, I accept that it’s a pretty big difference of degree, and that matters.

I wonder if there’s a correlation between those who object most strenuously to shows like Sensing Murder and those who generally bemoan the falling standards of entertainment and current affairs, and particularly the rise and proliferation of reality TV formats, and the consequent “realitisation”, if I may coin the term, of other genres. I’m thinking, here, of shows like Lost, which started out basically as a fictional version of Survivor; and 24, which is basically a video game in serialised form; the talking-head rent-a-quote instant-experts which predominate in news and current affairs programming; and the reality-esque coverage of media heroes and antiheroes like Clayton Weatherston and David Bain.

I reckon there would be, and I reckon that no small portion of the reason people hate on Sensing Murder so much is because it represents the most egregious example of this trend toward manufactured verité — in entertainment, in real life, and in how real life is presented to us. In this, it’s just another example of “resisting the decline” of society, which happens to an extent every generation.

I should hasten to add that I think it’s important that the decline be resisted — but by the same token I think it’s important that the reasons for resisting it be clearly stated and understood. But here’s another thing: while there is undeniably a great deal of dreck in the reality TV ouvre, and a significant amount of bland mediocrity, has the move genuinely brought nothing of value? The most venerated examples of the reality genre — Survivor for one; Idol and so on for another — have given zillions of people a great deal of pleasure, and now form a pretty central part of our* culture. I have a particularly soft spot for Survivor since it’s essentially just a big ball o’ political, social and psychological theory implemented in a handy ritualised narrative form.

In case you think I’m a trendy hipster libertine, I do personally disdain a huge amount of pop-culture — but not to the extent that I wish its absence on others who are into that sort of thing. That’s where I draw the line with Sensing Murder: let those who have been duped of money or faith complain to the small claims tribunal, or Fair Go, or the Advertising Standards Board, or the Commerce Commission. Let those who dislike the programme turn it off, and voice their disapproval to TVNZ and the show’s producers. Let those who object to public money being spent on it, and to the Police becoming involved in it make their objections known strongly, but let it all be done in the knowledge that some folk want it anyway and are willing to pay for it, even if it is all faked (and, deep down, they know it).

Last generation’s trash is this generation’s treasure; and vice versa. So it has ever been. This is part of what it is to live in a liberal society. Is it not?

L

* Permit me this generalisation, since I don’t want to write, nor (I am sure) do you want to read, yet another awkward definition of the “self” in this context.